@Dance_Magazine : RT @Princeton: #PrincetonU alumna Ogemdi Ude ’16 — part of the @princetonarts Program in Dance and Program in Theater as a student — has been named to @Dance_Magazine’s 2022 “25 to Watch» … and featured on the front cover. 🧡 🖤 https://t.co/sAjqEtKoAW https://t.co/xpponJC1Ik

@Dance_Magazine : RT @Princeton: #PrincetonU alumna Ogemdi Ude ’16 — part of the @princetonarts Program in Dance and Program in Theater as a student — has been named to @Dance_Magazine’s 2022 “25 to Watch» … and featured on the front cover. 🧡 🖤 https://t.co/sAjqEtKoAW https://t.co/xpponJC1Ik (via Twitter https://twitter.com/Dance_Magazine/status/1486193611486244868)

@Dance_Magazine : «The most powerful things we’ve learned, like walking, talking and being upright, weren’t accomplished through systematic learning. They were learned through exploration, play, trial and error.” https://t.co/oTQHFLp2Tw

@Dance_Magazine : «The most powerful things we’ve learned, like walking, talking and being upright, weren’t accomplished through systematic learning. They were learned through exploration, play, trial and error.”

https://t.co/oTQHFLp2Tw (via Twitter https://twitter.com/Dance_Magazine/status/1486138462432600065)

@Dance_Magazine : You may discover this approach to managing is easier than you think. After all, anyone who’s grown up in dance thrives on corrections. Your employees may be more comfortable than most with the kind of radical candor that creates the best work. https://t.co/sG74ZSrvft

@Dance_Magazine : You may discover this approach to managing is easier than you think. After all, anyone who’s grown up in dance thrives on corrections. Your employees may be more comfortable than most with the kind of radical candor that creates the best work.

https://t.co/sG74ZSrvft (via Twitter https://twitter.com/Dance_Magazine/status/1486092783400198149)

@Dance_Magazine : At its core, an artist statement offers a short description of what your work is, what it looks like and how it functions within the larger dance field or arts world. https://t.co/a3rTblpesh

@Dance_Magazine : At its core, an artist statement offers a short description of what your work is, what it looks like and how it functions within the larger dance field or arts world.

https://t.co/a3rTblpesh (via Twitter https://twitter.com/Dance_Magazine/status/1486046061382803461)

@Dance_Magazine : How do you create a helpful mantra? Keep it short, specific to your concerns and unequivocally positive in mood. Here are some expert-recommended suggestions: – “I’ve got this.” – “I am going to attack this choreography.” – “I trust my abilities.” https://t.co/ZhDea6JIOL

@Dance_Magazine : How do you create a helpful mantra? Keep it short, specific to your concerns and unequivocally positive in mood. Here are some expert-recommended suggestions:
– “I’ve got this.”
– “I am going to attack this choreography.”
– “I trust my abilities.”

https://t.co/ZhDea6JIOL (via Twitter https://twitter.com/Dance_Magazine/status/1486004351546109961)

@Dance_Magazine : A quote from our January cover star, @gemgemdi: «I am made of and by the community I #dance with – those who have loved, affirmed, and encouraged my making. You’ve helped me build a space in this field where I can unfold without compromise. I feel loved and I feel full.» https://t.co/CzxjTVZr6d

@Dance_Magazine : A quote from our January cover star, @gemgemdi: «I am made of and by the community I #dance with – those who have loved, affirmed, and encouraged my making. You’ve helped me build a space in this field where I can unfold without compromise. I feel loved and I feel full.» https://t.co/CzxjTVZr6d (via Twitter https://twitter.com/Dance_Magazine/status/1485988938527526927)

@Dance_Magazine : RT @margaretfuhrer: To compel the entertainment industry to respect dance artists, @JaQuelKnight’s new enterprise has begun copyrighting commercial choreography—not just his own work, but also the work of other creators. My @dance_magazine cover story on Knight’s revolution: https://t.co/ugbl6CEUb0

@Dance_Magazine : RT @margaretfuhrer: To compel the entertainment industry to respect dance artists, @JaQuelKnight’s new enterprise has begun copyrighting commercial choreography—not just his own work, but also the work of other creators. My @dance_magazine cover story on Knight’s revolution:
https://t.co/ugbl6CEUb0 (via Twitter https://twitter.com/Dance_Magazine/status/1485988143358693379)

@Dance_Magazine : By conventional standards, Kamal Sinclair has had upwards of a dozen different careers. She’s been a dancer, a producer, a choreographer, a director, a creative advisor and an executive director, among other sundry positions. https://t.co/hV6Mc7Fszk

@Dance_Magazine : By conventional standards, Kamal Sinclair has had upwards of a dozen different careers. She’s been a dancer, a producer, a choreographer, a director, a creative advisor and an executive director, among other sundry positions.

https://t.co/hV6Mc7Fszk (via Twitter https://twitter.com/Dance_Magazine/status/1485981685384634379)

@Dance_Magazine : Cincinnati Ballet announced today that it has named Jodie Gates as its new artistic director, effective August 1, 2022. Gates will take over from Victoria Morgan, who is retiring after 25 years at the helm. https://t.co/rFFysJa9BL

@Dance_Magazine : Cincinnati Ballet announced today that it has named Jodie Gates as its new artistic director, effective August 1, 2022. Gates will take over from Victoria Morgan, who is retiring after 25 years at the helm.

https://t.co/rFFysJa9BL (via Twitter https://twitter.com/Dance_Magazine/status/1485787491693121538)

@Dance_Magazine : As dancers, when we’re cross-training we need to consider whether a tool allows us to be dynamic with our movements. Kettlebells can build dance-specific strength by adding load to multidirectional and multiplanar motions. https://t.co/5JEDT1QSMx

@Dance_Magazine : As dancers, when we’re cross-training we need to consider whether a tool allows us to be dynamic with our movements. Kettlebells can build dance-specific strength by adding load to multidirectional and multiplanar motions.

https://t.co/5JEDT1QSMx (via Twitter https://twitter.com/Dance_Magazine/status/1485719198508670987)

@Dance_Magazine : As difficult as it is to accept, sometimes the reason you didn’t land an intensive is because you simply aren’t the right fit for that particular school. https://t.co/cY2hEs6JKR

@Dance_Magazine : As difficult as it is to accept, sometimes the reason you didn’t land an intensive is because you simply aren’t the right fit for that particular school.

https://t.co/cY2hEs6JKR (via Twitter https://twitter.com/Dance_Magazine/status/1485651711356280838)